Hitch-hopping

On the first of August I leave Michael and resume the trail solita. He has his work to do, I have to explore my soul. Both of us need to do this alone.



I'm not quite alone though… Eva and her banda boyfriend Toño are heading towards Guatemala. It's with them that I find myself waiting for a lift in the rain, on the highway leading out of San Cristobal, sipping thick pozol (chocolate-tortilla drink) that sends curls of steam into the misty air.


It takes us just two days and four rides to make it to the border. We share pick up trucks with tarpaulins, small children and, on one particularly memorable ride, several hundred cans of pizza sauce, around which we contort ourselves in the storm-force winds.


I duck down to protect my face and when I raise my head I am captured by the most beautifully brief moment… a rainbow in the field next to me, hanging clean and sparkling and radiant with stunning colours, perfectly poised for a moment before it is whisked away in the slipstream.


I am left with the traces of a kaleidoscope smile on my lips.


We swerve to avoid a cow in the road.


In the next town they stop to haul a pizza oven into the back of the truck. I assume they want us to leave, but they insist they can make this work to meet everyone's needs. They spend half an hour levering the enormous hulk of metal into the back, shifting can after can after bag of pepperoni in a tetris solely designed to ensure our (relative) safety.


I do not understand why people would go to so much effort, just to make sure there are three squares of space for a few bums they've picked up, when clearly the addition of the 2-metre square pizza oven to the truck is a strain alone.


Eva says simply: "Because they can."


They drop us at a border town, where a fairground has just pulled up. The need for the pizza oven becomes clear. We are left in the flashing lights of a pathetic-looking rollercoaster and the enticing oil smells of fresh-fried churros.


For la banda, every hour can be a work hour. Toño plays drums at restaurants as we pass, begging for a few pennies to buy himself a beer. We see the same two skinny girls that we met on my birthday, twirling their fire, seeming small and out of place at the semaphoros.

We eat popcorn and hula hoop under the tinny sounds of the fair and I feel wonderful to have regained my independence.


I miss Mike but I am glad I am here alone. Crouched under the lights, echoing fairy lights from a time long gone, I realise how important it is for me to have the space to be truly me, not cramped or compromised by another.


I have a fire inside and I need to feed it. I cannot wait for Guatemala.

Nos sentamos en la calle

I turn twenty six on the twenty seventh of July. It is raining in San Cristobal de las Casas. At 6200 feet the drops fall cold and the ancient rocks of the pavement seem slicker than normal.



Michael and I spend all day looking for plush hotels and decide at the end that we'd rather spend the money on food.


Eva is here; my long-lost buddy with whom I spent December. It is wonderful to have a friend, although I've spent enough time here now that I recognise faces on the andador. We pass the evening on the slick streets, drinking maiz spirit and coconut juice out of plastic bottles and hula hooping through the puddles alongside la banda.


La banda. What a wonderful phenomenon to be part of during my travels here in Mexico.


It literally means the band, and is a term used to describe Mexico's hobos: a network of young pirates, dreadlocked, pierced, dressed in an assortment of rags. They travel their country in the back of pick up trucks, conjuring pennies to live by working the streets, the restaurants and the buses.


You're not banda unless you have a prop - a tambor drum, a fire stick, a roll of macrame bracelets. I have a hula hoop, therefore I am accepted as one of them. Whenever I travel with Eva, we listen for the sound of drums.


Like a subtle web of entertainers for the nation, these kids are always present, always audible. Their tambors sing the same rhythms in every town. Their jewellery glitters under streetlights. Traffic light junctions are fought over as the best location for fire spinning, where the perpetrators spend hours in exhaust fumes and whirls of flame, paid five pesos each by the most generous drivers.


Tonight my attention is caught by a pair of girls. Their collar bones show sharply under stained t shirts. One of them has shaved the sides of her hair and allowed the rest of it to dreadlock in a kind of parrot's tuft. The other wears a coloured scarf round her head and has eyes that move too fast. They pass a stolen cigarette between them and try to blend in. They are only seventeen.


I've seen them on the semaphoros, one with poi and the other with a fire stick. They look like they might break. They sit in the puddles like scruffy dolls, seeking their adventure in dark streets, far away from any family they may have had.


They dance well and guzzle their beer with prowess. They have the urchin look down to a T. The only thing that belies them is the nervous darting of their eyes.


I wonder where they came from…where any of them came from.


Some run, bored, from families with big homes, rejecting the streamlined world of the rich mexican for the grit of the streets. Others have no relatives at all. Some just haven't come up with anything better to do yet. These details don't appear to matter because each is accepted within the greater family of la banda.


They are the people's army; the underbelly, proudly displaying the happiness that having nothing can bring. They proclaim the alternatives: that you do not have to have a regular job, a safe house and a non-descript image to be happy.

The conditions for the movement are perfect - anyone with a grain of sense can earn money in Mexico, albeit at different rates. There is no web of legislation to climb through -- if there is, no one cares. Hitchhiking is commonplace, and pick up trucks form the greater part of Mexico's fleet.


Life on the road is exhilarating. There is no purpose to it other than to live and continue to live.


I am happy to flit in and out of the situation. Their company is interesting for a while but as Eva points out, one can become bored easily when faced with too many nights of sharing caguamons and paying for things with handfuls of change.


A stranger might look at me, hair wraps, hula hoop and holes in my clothes, and place me in their box.


For me, the difference is subtle and comes in a cup.


I am happy to have included the luxury of coffee within my budget.


For la banda, the coffee shop is on the other side of their grimy viewing window. They peer through it with interest, knowing they would never choose to fritter away hard-earned beer money on a meaningless hot beverage.

Rain splats the glass as they sit, crouched, waiting for the customer who will whisk them away.