Primeval queen

Before I kill him, I hold him.  I am careful not to squeeze him too hard. I don't want to harm him, or worse, scare him. 

I can feel his heart beating.  I like the warm weight. 

His feathers are soft and glossy, fading from  deep, terracotta red to iridescent green-black.  Beautiful.  I think about the earrings I am going to make with them later.

I stroke his back and look into his yellow, darting eyes.  I project calm.  Although my heart beats hard, I do not want him to feel my nervousness. 

We hang him up from a tree by his feet and leave him there for the blood to drain to his head.  I apologise to him for the situation.

I put my hand over his chin and beak, covering his eyes.  I don't want him to see the knife.  Hanging upside down, wings open out like an inverted umbrella, he is so helpless that I have a sudden urge to save him. 

I feel a pulse in the artery underneath my thumb.  I think about how he is alive.

I slice the knife across his neck. Warm blood spills over my hand and drips onto the grass.  I don't know why, but the temperature surprises me.

For a moment, the chicken is still and I am left with a brief silence, during which I can almost hear the liquid falling from the knife and my hand.  Then he starts moving again and Jimmy takes the knife from my hand, hacking his head completely off.  It falls to the ground like a discarded toy.

The headless body starts to flap its twisted wings and cluck, as if the soul of the bird is echoing its life as it leaves the body.  On the floor, the head twitches.  The movement of the body is so violent that I stand bewitched, watching the blood fall to the floor as the carcass tugs and swings on the rope.  After two minutes it falls still. 

"Ya," says Erica.  Enough.

We pull feathers from the body to save for jewellery.  If I pull too hard, skin comes off with them.  I will need to wash these.  When I've taken what I want she dips the whole thing in boiling water, loosening the cuticles and enabling us to pull the remaining feathers out in wet handfuls.  They lie on the compost heap in soggy balls. 

She toasts the naked body on the fire to burn off any last hairs.  I scrub it all over with a soapy scourer.

I tell them I would like to butcher as well.  The family gather around the stone sink to watch.  I think they find it hard to believe that this twenty-six year old girl is not only unmarried but has never killed or butchered a chicken.  I am not sure what to tell them, other than, "things are different in England."

But I want to do this.  For years I have wanted to do this.  I have always felt very uncomfortable about the fact I had never killed anything.  How could I be happy eating meat when I was not happy to kill it myself?  The food we buy in Tesco is so far removed from its origin that it is hard, sometimes, to remember that it was once a living, breathing thing.  In some twisted way this process is a token of respect to the animals I have eaten.

Erica holds the legs apart as I cut around the anus. 

I must be careful not to contaminate the meat with the intestinal contents. I slice down the left hand side of the spine, opening a cavity through which I carefully pull the innards.   I wonder how machines carry out such a delicate job.

When I chop the feet off at the lower joint, I am left with something barely resembling the chickens I'm used to buying at home.  I wonder what they must pump them with to make them so rounded and white.  This one is wrinkled, thin and bright yellow.  The flavour will be impeccable.

The whole job has taken almost an hour.  I have turned a bright-eyed, beautiful creature into food.  I am hugely aware of the significance of what I've just done, and the inappropriateness of the usual indifference we have for meat.  But I feel relieved. 

I hadn't realised how much it bothered me that I had eaten meat most of my life and yet never killed an animal with my own hands. I feel slightly less of a fraud. 

I whisper a promise to the chicken soul; to always be thankful for the life of the animal that I'm eating.  I am a strange, yet conscientious cross of a primeval hunter and a privileged hippy.

I sit at home, cadaver in the fridge, and twirl silver wire into earring springs.  Time to adorn myself with my kill.

God of Small Things

I'm on a bus heading south. Sitting across from me is a woman, perhaps 20 in age, with a small son who has no hair. She wants US dollars, I want Belize, so we swap and start talking.

She wants to know where I've been, and why I don't want to marry and settle down in my own country. I give her the standard spiel. The spanish rattles out freely and I enjoy the surprise on her face. 


***

Once upon a time, I watched football. I shamelessly supported the Mancs because they were the best and because my boyfriend did. We used to ritually tramp to Brixton's Elm Park Tavern, sun illuminating the pub in dust rays, pint of cider on the table, to pass a Saturday afternoon esconsed in drama and delight.

These days, although I love the game, I have no time and no patience for the delicate advertising-machines running the pitch. These are the glorified soap stars, paid sickening wages and supported by self-righteous masses. Without the pub and the boys I find it hard to take an interest.

***


The conversation moves over to her. She is Honduran, married to a Belizean. She doesn't speak English but is trying to learn for her son; given that they live in Belize, English will be his first language. She hasn't been home for four years because she doesn't have the money.


He is three years old and has cancer. The hospitals in Belize don't know what to do with him, so she's been taking the five hour round-trip border-hop up to Chetumal in Mexico to get his treatment.


I ask her how often she goes.


"Every day," she replies, with a smile. "Every day for a year."


My heart aches for them and I feel like a fool for my indulgent life and naïve cries for freedom. I feel desperate to help. I want to fly them to England and make him better. But I can't. That is the lesson I learn every day - that everyone has their own agenda. You can only ever give so much.

***

Going through my belongings, shapeless lumps in the attic of my father's house kept for reasons unknown, I uncover a Manchester United strip. I pause for a minute, pondering how to get rid of it. It's too small for any of my fellow fans to get away with. It would be a shame to send it to a charity shop.

Although now, to me, it symbolises the Dirty System, it once represented comraderie, love and a shared passion. And it might one day mean something else for someone out there.


So I bring it with me. They love football where I'm going. I know I'll find a home for it somewhere.


***

When she climbs down from the bus, halfway to Belize city, I pull the earrings from my ears and press them into her palm. With my other hand I give the Manchester United strip to the boy. He looks up at me with big eyes. He is huge for a three-year old but the t-shirt is still so big he will drown in it if he wears it right now.

Maybe she will sell it.


But maybe, if he grows older, he will play football in it one day.

The other home

Its hard to describe the feeling as I fly over the turquoise shores of Quintana Roo. Something bordering on ecstasy, but far too calm for that word to fit.



I am alone again - and instead of feeling lonely I feel full. High on myself. Elated. The warm wind that hits me as I exit the airport at Cancun is the same wind that blew me here in the first place. It whispers to me and I shyly yield to its touch like a lover.

I just cannot believe how happy I feel.


I packed Mexico away into a neat box in my head, barely sniffed at in six months, and yet in just a few minutes it tumbles out; a surprise party, bursting with song.


Dogs, casually roaming. Dirt roads, playgrounds for the happiest children I've ever seen. Smells, pulling me in every direction. Old men, gossiping toothlessly from their chairs in the roadside shade. Shrieks of tropical birds, with something to say every minute of the day. People, everywhere, smiling.

And that wind, that soft, warm wind.

I avoid Cancun altogether in favour of the more genuine Puerto Morelos, checking in to a beautiful room at Casitas Kinsol. It is a haven under the shade of fruit trees and the baleful wide eyes of a chihuahua.

I borrow a bike and ride through a few kilometres of mangrove swamp to the white beach, where one of many of today's contented sighs slips out to join the wind. In moments I am paddling the shallow turquoise water, washing myself clean of my 60-hour journey. I make some friends, who buy me a beer. I sink my toes into the sand.

Tonight is full moon. It is as bright as the sun in England. I honour it with enormous prawns a la diabla, re-anointing my mouth with the familiar chilli fire of Mexico. I frequently pause my baptismal meal to tend to a small child, whilst the mother and grandmother serve the locals around me and the father, grandfather and uncle lean back with machismo.

I eat slowly, and afterwards spend a long time sitting at my table, facing the street.

The Second Circle

One of the last notable things to happen to me in Mexico is another stranger giving me another crystal. This time it is amythyst quartz, an angled finger of glasslike transparency, tipped with the purple tint of the seventh chakra.



The crown chakra is the representative channel of energy from the universe through the top of the head down through the body. A purple and white stone like this is said to resonate with that chakra and is ideal for meditation.


The gift comes at a time when I have so much energy focused on meditation and my seventh chakra that it seems almost absurd that I was not given this stone previously. I hold it in my hand that whole day and my palm turns hot and sweaty around it as I fall asleep on my last night in this country.

I spend this night in the same hostel as always - my third visit. The return is yet another closure; of a circle looped twice before with my arrival back in November and Mike's arrival in March. Unknowingly I have completed a figure of eight around the country, centred on Mexico City. My physics friends might call it an infinity symbol.

Tomorrow I travel to the airport to meet Michael again as he returns from Veracruz. Another chapter in our near-far relationship, stretching our bonds only to ping us back like plastic toys on the end of an elastic rope.

I haven't spoken to him in a month; our Time Out bringing silence and personal growth to the two of us in an intensity neither of us has experienced for a while. It is hard to tell what the transition between solitude and constant companionship will be like. The typed version of him I read through my computer screen resembles very little of the original man.


I force myself to take each moment as it comes.


I fall asleep, crystal hard in my flesh, dreams punctured by the horn beeps and fried chilli scents of Mexico City.

Hitch-hopping

On the first of August I leave Michael and resume the trail solita. He has his work to do, I have to explore my soul. Both of us need to do this alone.



I'm not quite alone though… Eva and her banda boyfriend Toño are heading towards Guatemala. It's with them that I find myself waiting for a lift in the rain, on the highway leading out of San Cristobal, sipping thick pozol (chocolate-tortilla drink) that sends curls of steam into the misty air.


It takes us just two days and four rides to make it to the border. We share pick up trucks with tarpaulins, small children and, on one particularly memorable ride, several hundred cans of pizza sauce, around which we contort ourselves in the storm-force winds.


I duck down to protect my face and when I raise my head I am captured by the most beautifully brief moment… a rainbow in the field next to me, hanging clean and sparkling and radiant with stunning colours, perfectly poised for a moment before it is whisked away in the slipstream.


I am left with the traces of a kaleidoscope smile on my lips.


We swerve to avoid a cow in the road.


In the next town they stop to haul a pizza oven into the back of the truck. I assume they want us to leave, but they insist they can make this work to meet everyone's needs. They spend half an hour levering the enormous hulk of metal into the back, shifting can after can after bag of pepperoni in a tetris solely designed to ensure our (relative) safety.


I do not understand why people would go to so much effort, just to make sure there are three squares of space for a few bums they've picked up, when clearly the addition of the 2-metre square pizza oven to the truck is a strain alone.


Eva says simply: "Because they can."


They drop us at a border town, where a fairground has just pulled up. The need for the pizza oven becomes clear. We are left in the flashing lights of a pathetic-looking rollercoaster and the enticing oil smells of fresh-fried churros.


For la banda, every hour can be a work hour. Toño plays drums at restaurants as we pass, begging for a few pennies to buy himself a beer. We see the same two skinny girls that we met on my birthday, twirling their fire, seeming small and out of place at the semaphoros.

We eat popcorn and hula hoop under the tinny sounds of the fair and I feel wonderful to have regained my independence.


I miss Mike but I am glad I am here alone. Crouched under the lights, echoing fairy lights from a time long gone, I realise how important it is for me to have the space to be truly me, not cramped or compromised by another.


I have a fire inside and I need to feed it. I cannot wait for Guatemala.

Nos sentamos en la calle

I turn twenty six on the twenty seventh of July. It is raining in San Cristobal de las Casas. At 6200 feet the drops fall cold and the ancient rocks of the pavement seem slicker than normal.



Michael and I spend all day looking for plush hotels and decide at the end that we'd rather spend the money on food.


Eva is here; my long-lost buddy with whom I spent December. It is wonderful to have a friend, although I've spent enough time here now that I recognise faces on the andador. We pass the evening on the slick streets, drinking maiz spirit and coconut juice out of plastic bottles and hula hooping through the puddles alongside la banda.


La banda. What a wonderful phenomenon to be part of during my travels here in Mexico.


It literally means the band, and is a term used to describe Mexico's hobos: a network of young pirates, dreadlocked, pierced, dressed in an assortment of rags. They travel their country in the back of pick up trucks, conjuring pennies to live by working the streets, the restaurants and the buses.


You're not banda unless you have a prop - a tambor drum, a fire stick, a roll of macrame bracelets. I have a hula hoop, therefore I am accepted as one of them. Whenever I travel with Eva, we listen for the sound of drums.


Like a subtle web of entertainers for the nation, these kids are always present, always audible. Their tambors sing the same rhythms in every town. Their jewellery glitters under streetlights. Traffic light junctions are fought over as the best location for fire spinning, where the perpetrators spend hours in exhaust fumes and whirls of flame, paid five pesos each by the most generous drivers.


Tonight my attention is caught by a pair of girls. Their collar bones show sharply under stained t shirts. One of them has shaved the sides of her hair and allowed the rest of it to dreadlock in a kind of parrot's tuft. The other wears a coloured scarf round her head and has eyes that move too fast. They pass a stolen cigarette between them and try to blend in. They are only seventeen.


I've seen them on the semaphoros, one with poi and the other with a fire stick. They look like they might break. They sit in the puddles like scruffy dolls, seeking their adventure in dark streets, far away from any family they may have had.


They dance well and guzzle their beer with prowess. They have the urchin look down to a T. The only thing that belies them is the nervous darting of their eyes.


I wonder where they came from…where any of them came from.


Some run, bored, from families with big homes, rejecting the streamlined world of the rich mexican for the grit of the streets. Others have no relatives at all. Some just haven't come up with anything better to do yet. These details don't appear to matter because each is accepted within the greater family of la banda.


They are the people's army; the underbelly, proudly displaying the happiness that having nothing can bring. They proclaim the alternatives: that you do not have to have a regular job, a safe house and a non-descript image to be happy.

The conditions for the movement are perfect - anyone with a grain of sense can earn money in Mexico, albeit at different rates. There is no web of legislation to climb through -- if there is, no one cares. Hitchhiking is commonplace, and pick up trucks form the greater part of Mexico's fleet.


Life on the road is exhilarating. There is no purpose to it other than to live and continue to live.


I am happy to flit in and out of the situation. Their company is interesting for a while but as Eva points out, one can become bored easily when faced with too many nights of sharing caguamons and paying for things with handfuls of change.


A stranger might look at me, hair wraps, hula hoop and holes in my clothes, and place me in their box.


For me, the difference is subtle and comes in a cup.


I am happy to have included the luxury of coffee within my budget.


For la banda, the coffee shop is on the other side of their grimy viewing window. They peer through it with interest, knowing they would never choose to fritter away hard-earned beer money on a meaningless hot beverage.

Rain splats the glass as they sit, crouched, waiting for the customer who will whisk them away.

Searching for Dragons

Dan turns up at the end of July. Film-maker Dan, with whom I spent February and most of May. Dan, the man with the van, who left us in June to continue "searching for dragons" on the final leg of his 4.5 year journey to Panama.



Now he is returning, finally. You can tell by his energy, which no longer scouts but feels buried into the idea of home. He pauses long enough to meet Nantzin, who is one of the last jewels in a necklace of synchronicity that has taken him from Alaska to Panama and half-way back again.


A year ago someone told him to seek out a shaman named Don Lauro. Don Lauro, born to the Mayan heartlands of Mexico, was taken to Tibet as a child by monks. There, he became Red Dragon, the famous martial artist. Now, he owns Las Montañas Sagradas (the sacred mountains) to the south of San Cristóbal, seeding a sustainable community of permaculture and flowing fields, where he heals the flocking public with his powerful energy.


For one reason or another, Dan never met him. However, when Dan meets Nantzin, on his way out of San Cristobal, she unwittingly informs him of her plans to see a shaman named Don Lauro the next day.


Dan is accustomed by now to the strange synchronicities of fate. Given the first pointers to this man a year ago, he seems relieved to be able to close this circle. I am not surprised when, the next day, I find him and his assistant Forbes still in town, waiting out this seemingly prophesied meeting.


I am invited along to the meeting. After a month or two of stagnancy, I begin to feel wheels turning again. Dan has a strange ability to make one feel like every moment is meant to be.


We sit around the kitchen table and put together an offering, based on the teachings of Dan's adoptive Blackfoot (native american) father back in Canada. We burn sage and sweetgrass, cleansing ourselves and imprinting prayers for Don Lauro's family into the red-wrapped bundle of copal and tobacco. Then we wait.


Don Lauro is sheathed in mystery. Everyone we ask replies with a mysticism that suggests him to be more like a spirit than a man, appearing here and there when least expected and never available to be found.


We wait for three days. Four visits.


While we wait I explore Don Lauro's kingdom. Domed buildings lurk under bright, alpine growth sparked with rainbow ribbons. A small garden, working the best of permaculture, is a secret uncovered from the back of the kitchen. The place is mostly empty.


We celebrate the beginning of the Mayan new year with some of the residents. We gather around a sacred fire, into which we throw seeds, candles and all the dirt from under the fingernails of our souls. We emerge renewed to the year of Red Overtone Moon - a modern interpretation on the classical Mayan calendar system, suggesting this year to be the catalyst for uncovering the 'great teacher' within, who will guide us to our rightful path.


The days pass easily and I feel a resonance with the place that comes from more than just the legend. I ask about staying, but space is at a premium and the only option is to live in a tent on the very top of the mountain, where the rainy season sloshes down in giant balls of hail.


I think about my options as we wait.


The company of three unexpected friends does me good. They can see that something I'm doing right now is not quite settling right with me, and they encourage me to rediscover myself through the things I already know within.


Although it does not seem quite the right situation for me here, it makes me realise what it is I'm looking for. The waiting in itself has given me direction. I jump up and down: 'Life is good again!'


Nothing like a bit of sitting still to organise one's head.


Don Lauro turns up at the end of the third day. He is short, round, with slitted eyes and far too few teeth. He shouts at dogs and moves quickly; a man clearly distracted by larger dragons than ours.


We are relieved. We don't really know what to say. We hand him the offering.


He bows at each of us in turn and tells us his house is our house.


Before we can say anything else, he leaves.


We are left with an anti-climax that makes us laugh and shake our heads.


Dan is not worried. "He is a man, just like us. Just because some people show up, feeling that this meeting is destined, does not oblige him to do anything other than greet us graciously as he did."


I consider the life of a famous shaman, sought out by people from all ends of the earth who expect deliveries of wisdom and deeper meaning, and in doing so realise that the wisdom lies in seeing that we are all the same.

Even shamen are just men.

And then there came...

Eight months down the line, I'm done with large-scale wandering. For the moment, at least. The last few months have been a paintbox of thoughts, swirling vivid emotion through my days. I've hopped and skipped and last-minute-escaped so many towns that they are beginning to look the same.



Although I have no intention of stopping, and still pump the thrill of a long-distance bus journey through my heart at every beat, I sense the need for a purpose.


Purpose.


That dreaded word.


I remember proclaiming loudly and perhaps slightly smugly at my work leaving party, fifteen months ago, my need to experience life without a purpose. When asked by puzzled faces what on earth I planned to do, I replied easily: I plan to have no plan.


But the P words are pursuing me with persisting pestilence. I know deeply that something needs to change.

Unintentionally we seem to have made our home in San Cristobal de las Casas, Chiapas.

The cheerily nicknamed San Cris hosts hoards of tourists, who come here for the quaint cobbled streets, rainbow houses and mountain-fringed vistas. They are helped in their explorations by organic coffee companies and delicatessens run by a high proportion of ex-pats - a.k.a. travellers who never escaped.


Under the too-clean streets lies a fractured past, marked recently by the Zapatista rebellions of the mid-90s in reaction to the large-scale governmental seizure of land from the huge indigenous population.


This land is much more like Guatemala than Mexico but there is something inherently genuine about it, as if it is more Mexican than La Republica.

We move between our friend's unnecessarily large, isolating house and noisy, centre-of-town hostels. We punctuate our stay with two-week long trips, during which we leave behind all but a change of clothes and our passports (just in case).

In doing so, we fall in love with Chiapas state.

Endless, deserted beaches. Tiny Mayan villages, high in the cool mountains, where life continues in the same way it has for centuries. Scattered emeralds and sapphires of God's jewel basket, twinkling in the Lagos de Montebello.

Steamy jungles hide the endangered Lacandon culture amidst deadly snakes and undiscovered ruins - just rocky humps in the knotted jungle. We eat lunch on a cracked Mayan calendar at lost Lacanja and swing on liandas in the Indiana Jones land of Yaxchilan.

We loop around dusty border towns ruled by cartels, who hop the river to Guatemala every time the police invade and stand there, waving under foreign safety.


We straddle the border ourselves to renew visas, then hop back when we realise how much we miss Mexico. There is a strange pull towards 'home'.


We return to find Nantzin in our villa.


Nantzin is a Mexican-American midwife. She is here on a volunteer mission, learning the ways of the people here - reconnecting with her roots. She has just been given a job working in a woman's refuge in town, taking care of mothers who have no where else to go.

I spy a book on natural medicine on top of a stack of interesting titles and understand why we needed to return.

Nantzin is a powerful woman to have by my side. She knows where she is going and what she wants to achieve. She has been in Mexico for less time than me but has achieved all of the things I dream of achieving, including apprenticeships to Medicine Women and volunteering with her healing skills. You can read her blog here.

From Nantzin I learn basic home remedies and share veggie food, experiences and giggles. She represents more than one part of me that I've felt missing in the last month or two. Not only is she a curandera to look up to, she is a friend. Watching the world pass by with her on the pedestrianised Real de Guadalupe makes my coffee taste that bit sweeter.

I see that this is part of the next step for me and at the very least a pointer to where I should place my attention. I feel this to be a further confirmation that healing is my path; at least for the moment.


Nantzin represents for me the beginning of the shifts. The persistence of possibility.


Perhaps, the beginning of Purpose.

One fine day in Chiapas

This time, we get out of bed the moment our eyes are first prised open by the waves on our doorstep. It is not as hard as we imagined. How quickly one can forget the trauma of an early morning alarm clock. How dramatic the improvement a pelapa-thatch roof and the sound of pounding waves can be on one's awakening.

We play chess while we eat our eggs next to the silent lagoon, twenty metres away on the other side of the sand bank from our hut. I lose again. Today, that does not frustrate me as much as usual.

A baby manta ray has found its way in to the shallows and basks in the bath-like water, camouflaged against the grey sand.

We take a lancha across the lagoon to the mainland, watching the spit of sand that has housed us for the last week slide slowly into the horizon.

It is like a tongue, licking the sea, the palm trees its taste buds, studding skinny barrenness with spiky bursts of flavour.

The Frenchlings come with us in the boat. They have been our casual companions this week. We decided to stop drinking for the month of June and this has in some way caused an impenetrable rift between us and any potential friends. On the other hand, the rift could easily have been Mike and I's reluctance to do anything other than be with each other, playing chess, writing music, exploring.

But this morning, however, their presence makes a difference. It means that when a taxi arrives, there are six of us waiting for a lift.

This does not matter in Mexico. We pack ourselves in, four in the back, Mike and I sharing the front passenger seat, the driver, wallowing in space, peering through a cracked windscreen with one surplus arm waving in the car's slipstream. As we accustom ourselves to the speed and the proximity, he introduces himself as Francisco with a wide smile to each of us in turn. He is visibly exalted to be sitting next to Mike.

"Miguel! MIGUEL!" he cries in happiness, patting Michael on the back and laughing. Michael appears to be enjoying the attention and replies in return, "Pancho! Panchito!"


Our driver looks about to wet himself with pleasure at being called the diminutive version of his nickname.

To celebrate the occasion, he turns the mariachi up. Stoic men in gold buttoned suits and white cowboy boots serenade us through the speakers in penetrating shades of brass and strings. Halfway through the joyful anthem, Pancho realises this song will not quite fit and slows the car to a halt. He unceremoniously removes the CD from the player. After a few moments of searching he inserts a new CD, forwarding to track number 8. A tune almost entirely alike the one paused earlier starts blasting from the speakers. Satisfied, he begins to drive again.

He appears to have installed a sub bass in the boot. The Frenchlings in the back are squinting from the volume.

He begins to sing.

He suggests going for a beer. One of the Frenchlings is in a hurry and says no. The driver is disappointed. He changes the song.

The third song hits the spot. He begins to yelp.

He pats Michael on the back again and cries his name into the wind, swerving to avoid potholes in the road. He buys chopped chili mango through the window, from a boy stood at a speed hump, and passes the bag around like juicy chips. Whenever the energy within the car seems to drop, he begins yelping again. Mike looks at me. "This is the most inspiring taxi driver I've ever met!"

I lean further out of the window in a failing attempt for more air. There is not much to do but laugh and sing along, which we do for almost an hour of back twisting, fist clenching, life dripping Mexican experience.

Michael looks like he's on drugs, such is the admiration and aspiration he has for this man. Rarely does one ever see someone so high on life as our Pancho. When we leave, uncrumpling bones in the square at Tonala, he kisses everyone on the cheek and thanks them for the pleasure of their company on this fine morning. We shuffle slowly away, marvelling at the spicyness of our early morning adventure.

But the day is not over yet. We leave Tonala having looked at a large-scale map of the area and pointed to a place down the coast with another lagoon and an interesting name.

The man in the sweet shop waves us towards the market. The man in the market waves us on to the car park. The man in the car park waves us on to a mini bus that drops us two hours later on a motorway, where there is another man who gives us the keys to a shop with a toilet and points towards another minibus going south.

That minibus leaves us in the rain. Once again, the human sponges, sloshing along in slippery sandals.
The women on it tell us we need to carry on our journey from the centre of town. We are hungry and we still haven't bought proper rain jackets. So we take refuge in a cute looking restaurant where a young man with one and a half arms serves us shrimp and black beans.


When we are finished he begins, as they all do, to ask our story. Where are we from, where are we going. Do we like Chiapas. The thing is, we're not at all sure where we're going. We picked a name from a map, that may or may not be possible to get to. So he invites us to talk to his parents, who are sitting just behind the restaurant, celebrating fathers day with their son and their nephew.

We walk into the room and they greet us with huge smiles and make us take our place at the table. They offer us coca cola and beer. They rattle off the same questions as their son did moments earlier. They are delighted with our answers.

The mother has never been on a plane and never will. The men tease her about her fear and she giggles into her beer bottle. "I like Chiapas and Chiapas is where I will stay. I won't go in a plane. Unnatural things." I agree with her and feed her glee with tales of our fifteen hour journeys to get to Mexico from London. England is grey anyway, and cold. She shivers with delight. "Yes, yes, Mexico is beautiful. Stay here, chicita, where the wind is warm." They ask how old we are and cannot believe the answer. To Mexicans we look like teenagers. They ask if we are brother and sister. We laugh a lot. Then their daughter sticks her head in the door and asks the same, and we realise that we all look the same to them in the same way they all look the same to us. They laugh with us.

Then they tell us they will host our wedding. "You must have the party here! Here in Chiapas we know how to party. We will fill this room with people and keep going for three days!" We are like Alice stumbling across the Mad Hatter's tea party, apart from these merry-eyed people are not mad, not even drunk, just high on life and happy to have such unexpected guests at their afternoon table. We leave them with sparkling smiles all around and promises for invites to our future (never-going-to-happen) wedding.

The next bus is driven by a young man who tells us he does not go as far as today's mecca. The village before it, where he lives, is called Zapotal. "Zapotal it is," I reply, and ask him if there are any cheap hotels. He laughs and looks sideways at the woman in the passenger seat, who turns out to be his mother. "Zapotal does not have visitors, but I have a restaurant, and you can stay with my mother if you like."

When we arrive we understand. This is the sleepiest little village I've had the pleasure of stumbling across yet. Thatch huts house snoozing families draped two-to a hammock, televisions barely cutting through the shrieking of the cicadas. Children sit barefoot in the pavement sand. The empty beach, just a continuation of the hundreds of kilometres of identical beach along this coastline, lays silent and unexplored next to the restaurant.

We sit at a plastic Corona table on a small cement patio with a bare lightbulb shining invitations to the mosquitoes. The bus driver turns waiter and lights a cardboard egg carton to place on the floor next to our table. The bites slow in frequency and we get out our homemade chessboard.

Within moments a steaming plate of garlic prawns, the cheapest thing on the menu twice in one day, arrives in front of us. We do not stop our game. This time I win one in four games. I make my head hurt and begin to see everything in terms of chess moves (...thank God the table is in the way of me and Mike's chair - it could take me in one move and I have no back-up. But he should be careful too. His eyes are just one L-shaped Knights move from being taken by his mouth.)

We are presented to the grandmothers bed, a small island under an enormous empty space of a house that looks more like a petrol station forecourt than a residence. As I prepare for bed I am watched by two small grandchildren from behind a curtain that serves as a door, who dart away like fishes whenever I let their attention be known.

The water tank has a turtle in it.

The night presents a continual stream of spectres to keep us awake, under satin sheets slipping against hot limbs.

The power goes off and with it the fan. Without the wind, the mosquitoes move in, burrowing into ear canals with dentist drill wingbeats. The grandfather arrives home and cannot figure out who is in his bed. The grandson, called in to help, shines a mobile phone in our faces and then apologises profusely. The cicadas grate their endless song, drilling through the concrete walls.

Eventually sleep's long fingers begin to take me. Silhouettes of our phantasmagoria of a day creep along the walls. Squinting through the warm waters of a lagoon. A cackling taxi driver and his love for music. Rain, beating on the windows of a minibus. A salad made of chopped hot dogs on the lace tablecloth of a laughing family. The kindness of an old woman and her scampering granddaughters, sleeping in an unknown location under our corrugated cathedral.

Just when we begin to doze off, our host's alarm begins to bleep.

4.30am. Time for another day.

Outtakes

My mind flicks images like film memories. I close my eyes and watch the last six weeks flash by in a montage I'd give anything to record.

   Scaling the pyramids of Palenque in the searing midday heat, jungle rising on all sides under a deep, indigo sky.


   Crouching next to the fire in our borrowed, three bedroom house, burning pine copal incense and a list of all the negativity we want to spring clean from our heads.


   A moment's interrupted sleep on a concrete patio on the beach, four-way-sandwiched between a rollmat, a mosquito-net, Michael, and a love-deprived cat, who shows his appreciation with a sharp-clawed massage and purrs as loud as the waves behind.


   Rejecting Saturday night drinking in San Cristòbal de las Casas, in favour of apple juice and mariachi in the square and a packet of ham for the street dogs.


   Eating termites from a jungle tree, mouth bizarrely filling with the taste of buttery, peppered carrots.


   Laughing as the heavens open on the first day of the rainy season and squealing with delight and blessed relief as I am soaked to the bone. Retiring to a hammock under the shelter of a rustling pelapa roof, darkness so thick I am aware of my friends only from the sound of their breathing. The evening strobe lighting - so familiar now - flashes images of my swinging feet in snapshot stills.


   Running through a forest that blooms a green carpet in three days of solid rain.

   Hopping the fence to the restricted area of the ruins of Monte Alban; the highest pyramid of all. Being ordered to climb down. The surreality of the pale brown, pyramid studded landscape far below, as if it belongs to the future rather than thousands of years in the past.

   Winning my first ever game of chess in style on a home-made board (card, marker pen and nail varnish). Subsequently winning again.

   Breakfasting on pork tortas by the side of the road, from plates that have "unimpressive" printed around the edges.

   Watching the live chicken stalls in the covered market, birds passed upside down by their legs to bargaining old ladies. Shock deepening as we compare this apparently cruel treatment to the western style 6-to-a-box, beaks-cut-off factory tradition. We buy a bag of fake meat and retreat.

   Crumbling fresh-baked cookies in front of a log fire, clothes steaming, rain teeming.

   Running after my inebriated friend to save her from the clutches of a man. Feeling my feet slide from beneath me. Smacking the stones of the polished pavement with outstretched hand and smashing bracelets.

   Sitting on a bench in the rain watching the embroidered skirts of the Mayan ladies, like colourful dolls, crouched in front of piles of vegetables and coal-grilled corn.

   Plunging my hands into giant sacks of dry black beans, cool and liquidlike.

   The dampness of the sheets around Michael as he moans with the aches of Dengue fever. Reversed roles when I contract a stomach infection the following week.


   The utter silence of a mountain morning, lit by the ethereal beams of sunlight through a tent door.

   Burying feet deep into sand the exact shade and fine texture of wholewheat flour, lapped by coral-slowed, translucent waves.


   Running through the drenching rain in San Cris, where the cobbled streets flow like rivers and the lightning freezeframes the mountains around us; fairy lights in the central square twinkling through the blurred darkness.

Rain, rain, clean my brain

In the middle of May, the rains began.



Until that point, the world held its breath. It pushed as far as it could under an airless environment -- began to swallow down on barren lungs.


Everything was brown. Plants were skeletons that crumbled at the touch. Even those that remained green -- banana palms, coconut, papaya -- seemed almost frozen in a vacuum that pulverised the life from us.


We flailed limply, like damp dishcloths, drinking in water by the gallon only to vaporise it almost instantly from our pores.


In Mexico, the dry season, although one of the wettest on record, was the only reality I could conceive of. It had always been dizzyingly hot. Rivers had always been dusty. I had always balanced the dry heat of the coast with an escape to the cool, pine-clad mountains forming the spine of the country.


But in the month before the rains came, I barely moved. Things stopped quietly around me, without me really noticing. Wasps lurched drunkenly from one melting pastry to another. Ice cream paused briefly in its frozen state, before giving in to the shimmery air in a sticky slide of white along the forearms. Even birdsong became lazy.


When on the coast, the only way to survive was to stay under cover. Ideas came and went, too slippery for the lazy thinker to clasp his sweaty fingers around.


The world around me and within me was pregnant. Pregnant and uncomfortable, with all the things that could be and that weren't.


Energy built up and intensified and waited; steam in a closed kettle, whistling with impatience.

My head pounded.

And then, in one day, everything changed.


I was at a petrol station at the time, on the side of the carretera running down the Pacific coast, having just crossed into Chiapas, the southernmost state. We were packed in the back of film-maker Dan's van, sulking on the bunk under the weight of the cloying air. I had stepped out for a little respite and to clean the windows. The grease on them almost obliterated the waving palms and swelling mountains taking over the landscape with heavily approaching footsteps.


I had just picked up the bucket, much to the amusement of the macho service men, who hollered and stared as I took their job from them.


Within less than a minute I was soaked to the point of dripping. Or was it flowing? Hard to say. It was more that me and the water were one and the same; I was wetter than I would have been if I had just climbed fully clothed from a pool.

The air was my sea. Around me, people fled like animals from a fire.

Dan banged on the window, urging me to get inside.

I just stared at the sky, blinking the water from my eyes and feeling the streams running down my cheeks.


This rain was to me the sweetest gift in a long stream of beautiful moments. I had waited for a long time. With it came the release of a million trapped thoughts and the relaxation of muscles turned taught by stagnant energy.


Bizarrely, I remained the only person outside on the petrol forecourt, washing the windows with soap that slid off the sodden glass in an instant, laughing at the ridiculousness of all those damp souls hiding under shelter, staring at me with confused faces.


The interest they offered me evidently discarded memories of just hours earlier, when they had all hung desperately from car windows, tongues flapping in the wind like dogs, or fleshy sails breached wide to catch the wind.

The concrete soon ran with inches of warm water that sluiced residue from roads in greasy channels.


Eventually these new rivers would find their way to fields, where earth lay waiting, imitating rocks, anticipating the day when the water would release their particles in crumbling mini-avalanches.


Under that earth lay seeds, dormant, parched. Many were dead.


But for some, the water brought life. As I jumped up and down in the Petrol Station Lake, tiny proteins started forming within them, deep below the ground. All over Mexico, seeds began to germinate.


By the time I climbed, sodden but happy, into Dan's van, laying a towel on the bunk to catch my drips, things had already started to grow.

The windows were sparkling and so was I. I watched the mountains stand straighter, like pictures of evolution from monkey to man, becoming more confident as we progressed, and yet smudged into doubt by the rivers of water that raced in diagonals down the windows.


Water dripped through holes in the roof. The bunk grew damp. The road became rapids, but the cars did not slow down.


And in my head, the thoughts that had been hanging unattached like dust for so many months began to congeal, like the earth in the fields.

Within them, awaking from the incubation of many months, things began to germinate.

Medicine woman

I know from the moment I see Catalina I know I have to talk to her. Something about her seems familiar.

Seven decades of wisdom are concealed in long, grey braids and a still-beautiful face. I am slightly intimidated. I feel as if I know her. I don't understand her Spanish, spoken through lisping, wrinkled lips, but I sit below her on the garden steps with my morning coffee, attempting to follow her growling dialogue as she rules over her tiny, exquisite empire.

On the third day after her arrival I spend the morning picking capers to pickle from the nodding nasturtium plants crawling over her terraces. She does not see me.

That afternoon she calls me over to talk to her. She bends down to the nasturtium flowers and asks me if I know about the plant. I tell her about the capers and that I like to put the flowers in salad.

She tells me the leaves cure cancer.

Instantly I know she is the owner of the notebook I found on the shelf a few days ago. And before I even think about what I'm about to say, I tell her bluntly: "I want to know what you know."

She does not seem surprised. In fact, it is as if she expects it. I wonder what brought her to tell me about the nasturtiums in the first place.

Instead, she tells me she will give me her notebook, in exchange for a present. I ask, "what do you want?" and she replies again, "a present," with a shrug of her right shoulder and downturned lips. I understand that this is more that just wanting something new. She is testing me in some way; seeking my character. "Bien. Gracias." I nod. So she gives me the notebook.

This time I open it not with trepidation but with hunger.

I have been after this information ever since I bowed gracefully from the Rat Race early last year. Given the magic that has occurred since, I am not surprised that it has arrived in this fashion.

I am, however, slightly surprised at the turn things have taken. Ever since Marcos told me to learn to heal with my hands, back in Guadalajara's cloudy January, I have been the subject of a series of people who want to teach me. Guide after guide, I am sucked into hula hoop loops of wisdom, almost effortlessly.

From Guadalajara I travelled to Patzcuaro, where I met Luis, who told me I was a kind of shaman and that he was my chosen guide. From there to Mazunte, where James spent a month downloading his knowledge of energy healing and massage. From James to Cristina, who taught me about symbols and vibration as methods of healing. From Cristina to Catalina, who hands me a leather-wrapped pile of papers, tied with a beaded thong. I have barely input anything.

The next day I sit in the sun and the quiet to copy the notes. I understand about fifty percent of the Spanish. When she asks for her book back, I have still not acquired a present, but she does not appear to mind.

I go into her room anyway. I sit on the floor. She hands me a jar of honey and tells me to drink from it. I fill my mouth with the globby nectar of the divine, the taste of the mountains clogging my senses.

She begins to tell me her stories. She tells me of the time she cured Parkinson's in three days using leaves. The time she cured a child dying of gastritis. The time she evicted a dark spirit by speaking mantras into the person's eyes. I am beginning to understand her Spanish a little more but I still struggle, asking her to repeat things in her gravelly voice. She puts her drink down in a patch of sunlight on the floor. I know she is going to ask for my hand and I hold both of them out ready for her to read.

She tells me I am lucky. I am lucky in money, and I shall never want. In fact, I shall never want for anything, as I have Jupiter, king of the gods, looking out for me. He will always come when I ask.

She tells me I will get married twice, perhaps more. This discredits everything she has said, as I do not believe in marriage and believe it would be a mistake for my fickle mind to ever be joined with another. But then she goes on to say that I will not marry for love, but for documents. Perhaps to become a resident in Mexico, as she once did. Perhaps to give my own visas to another.

I raise my eyebrows. The truth of my situation - my desire to live in a country I do not belong to legally - reshadows her words with credibility.

She peers closely at my left palm, as if searching for something. She looks and looks and then sits back, satisfied that she has found what she needs.

She points to a tiny cross between my upper and middle horizontal wrinkles. She tells me that healers have this cross. As if to confirm, she asks for my other hand, and smiles when she sees the results. I have three crosses in a line on this hand.

She shows me hers. The three crosses on her palm perfectly mimic my own.

She tells me I need to charge for my healing according to the means of the person to be healed. I feel uncomfortable bringing money into something so pure.


But she tells me, "You have to eat too. I healed for many years before I was able to buy my land, my house."

And suddenly, it hits me. The similarities between us. It is as if she is me, fifty years ago. I look around at the terraced garden, the house, with its cosy refuge and space for a community. The kitchen. The plants. The peace. I cannot believe I didn't notice it before. But this place exactly fits the dream in my head. This could be the home I asked for on Punta Cometa on the 21st, and the haven that has occupied my thoughts ever since I left London a year ago. And back and back, perhaps even before I was born.


I had no idea how I would make this dream happen, only the faith that somehow, knowledge and means would arrive. And now, slipping its folds around me with a finger over its mouth and a giggle behind its dancing eyes, the vision has arrived, so smoothly I did not even notice.

I think she has just told me how I can earn the money I need to make a place like this happen for myself.

By this time I have sunk into silence, content just to listen and continuing to concentrate hard on her low, low voice. She recounts stories that mirror my own. She left Spain when she was young, following the spiritual path. Had her very own Luis. Married to become Mexican.

Then she says something that makes me go cold.

"Do you know about the eagles?"

I didn't. Until two months ago, when I saw three eagles in a short space of time. Luis told me this was a sign. I asked him what the sign meant and he answered with a story.

He told me that they live for many years. After surviving for forty years in the desert, they fly to the mountains to find a place to hide.

There, they hit their beaks against the rocks until they break. They scrape their claws until they fall off. They render themselves unable to eat.

They rid themselves of everything that aided them to survive in their old life and they sit and wait in pain until a new beak and claws grow. When they do, the eagle is renewed. It is reborn, like a mage of its species. They go on to live another thirty years as the most powerful thing in the desert.

Luis said I'd seen the eagles because this is what I will have to do. I ignored him at the time, because I did not want to hear this kind of prophecy.

When Catalina tells me about the eagle, in relation to my palm, I suck in a deep breath. I hold it for the entirety of the metaphor.  I release it slowly. I look outside and see things crystallise in sharp corners. One of my possible destinies, presented to me clearly.

Catalina gives me one more key to add to my growing set. She assures me I already have everything I need to be a doctora naturista. In principle I can heal with energy, herbs, massage, and more.

Although I am cramped with doubt and self-belittling traps, everyone I have worked with tells me I have powerful energy. I have the knowledge; I just need to start practising. She tells me to start as soon as I can.  For now, my fear of myself keeps me contained.

When I leave I hand Catalina a necklace, beaded in the colours of the fierce Mexican sky. In doing so I feel I am completing a kind of circle.

Under the same skies, back in bleaching Zacatecas, that necklace was placed around my neck by Luis.

Flowers, clouds and clues

San Jose del Pacifico. Dogs are barking.

The sign on the door at Casa de Doña Catalina is peeling. I wonder if Catalina herself is dead.

In the garden her geraniums nod happily. I long to meet the carer of this paintbox of plants.

Sometimes we end the day in a cloud, an explosion through which the sun stretches dying fingers. We float away in our wooden boat in a wispy flood of white.

It feels as if we are lost.

Once again, a vortex of energy has sucked us in to a slow whirlpool of routine.

Over the last few weeks we have watched the sinking slopes of the valley ahead of us emerging and disappearing into clouds of a hundred different variations. We have explored the mountain trails through the pine forests, neon lichen and huge cacti like great, tentacled aliens, resting on the red carpet of the forest in surreal colour clashes.

We have continued to function without running water, pouring buckets of dirty dishwater down the toilet bowl and washing from a bowl of rainwater. Like so much of Mexico, Oaxaca state is not so far from seasonal abandonment for lack of water. Prophecies echo from state to state: the next world war will surely be over water.

Night rushes in, velvet skirts rustling and star-splattered. We retreat from the terrace to the cosy, low ceilings of Catalina's living room, walled in on all sides by psychadelic murals, bookshelves, musical instruments and brightly woven cushions. The lightshade is a carefully-arranged plastic bag. Against the window is a wide ledge filled with soft things for sleeping in.

In the other corner stands a bookshelf, with titles in a handful of languages, ranging from Carlos Castaneda to Madame Bovary.


The spine that grabs me belongs to a small notebook. I open it. The first thing I see is a piece of paper dated 1958. It is someone's Mayan horoscope. Whoever owns this book has the same energy as me: in modern Mayan interpretation, Yellow Sun, representing the Enlightener. In ancient readings, Kame, representing the beginning, harmony, vision, cunning.


The next page is a list of diseases.

It takes me a moment to realise that besides each of the diseases is a cure, encoded in Spanish. I wonder whether this belongs to Catalina. The looping script shows me my place and I feel I am prying.


I snap the book shut, but fail to forget.

After about a week we consider leaving and play cards for the decision. The cards tell us to stay.


That afternoon, Catalina herself arrives home from a month at the coast.

The cottage in the sky

From the land of the water in Mazunte, where we learnt to flow together again, we have moved to the land of the air. A time of thinking and of learning.



They call this town San Jose del Pacifico, because some days you can see the Pacific; a thin glint on a laminated horizon.

We are living in a bubble 2000 feet up, shrouded in nature's cocoon. The clouds rise and fall, an elevator between the valley floor far below and the comforting peak behind.

Our home for now is Casa de Dona Catalina. 200 pesos for a double bed in the dormitory at the top of the log cabin as well as whatever meals or drinks come our way during the day. 200 pesos for the two of us wanderers to become a valued part of the fizzing household, made up of a few long term residents and assorted drifters, who come here to socialise - in the most laid-back of senses - whilst sampling the botanical delights of the ethereal pine forests.


Each day the group changes, morphing its way through a rainbow of atmospheres. Each day brings more points of view, more shades of social interaction.

Dona Catalina is a witch. She understands plants and spirits. She is conspicuous in her absence - for the last month, watch over the land has been held by the residents.

When we walk in on the first day, fresh from a cloud-forest journey from Mazunte, the first person we find is Shaman Marcos. We sit down underneath a floripondio tree, otherwise known as angel's trumpet, with large orange flowers hanging from it like gramophone horns.

Marcos tells me the flowers are the dark side of hallucinogenics; without care, one can drive you mad. My eyes widen and I ask him if he'd ever taken them. "I had three this morning!" he cackles, and looks at me with kaleidoscope eyes.


The dark side indeed. Shaman Marcos has a wonderful heart, but his 'shamanic practises' have taken him so far beyond this world that I doubt he will ever return. 

I wonder what his coincidental appearance means for our experience here.

Shifting Sands

One afternoon we sit in a giant tree.

We climb up to the palm of its branched hand to drink our way through four caguamons (1.2L beers bottles) and watch ants march up flaking bark.

Our tree becomes the perfect place to see through the shimmeringly hot afternoon. We bite into sun-warmed mangoes, burstingly fresh from the ground and watch an iguana flick along below us . When it becomes cool enough to move we jump down, bidding the day farewell with a swim in the crushing surf.

The time to leave has come.



We walk down the beach to stop in on James, swinging under candlelight in his blue terrace hammock, watching the stars through a palm-fringed window of sky above. We cook dinner there and eat in comfortable silence, listening to the crickets and the waves.



A month's study with Mazunte's Gandalf has taught me basic herbology, massage and a kind of energy healing that leaves my hands burning. I am glowing from my bi-weekly treatments and Michael is glowing from his experience as my guinea pig. We've spent a good few days covered in aloe vera, waving the spiky branches around like tentacles and moving stickily yellow and monster-like over the beach.



Yesterday I worked with a girl called Cristina. She has tumbling, shiny hair and a baby called Miguelito with a face to melt even the most intolerant of hearts. Together they are the image of Mary and Jesus- there is a light between them that will never come out in a photograph.



Cristina is the same age as me, but if I can achieve just half of the peace that radiates from her I will be content. She has travelled Mexico for the last ten years, learning indigenous methods of healing. While I am working with Cristina, Miguel thumps on a tambor and gives himself hysterics that bubble from his toothless smile and turn his eyes to happy slits.



I would like to learn more from Cristina. I feel a slight sense of loss as we say goodbye and forget to exchange email addresses. But the winds are moving us inland. Our month by the sea has joined us back together, after our stressful four months apart. We are ready to start the real travelling.

The road behind Mazunte leads to the mountains, seen from the beach as grey silhouettes against the sun. They call to us with cool breezes. While the sunrise over the beach is ethereal and makes me glad to be alive, it burns a hole in the day, forcing us to listless shade between 11 and 4. Activity is squeezed like toothpaste into small dollops at either end of the day. Even at night, a walk slickens sweaty sheen over darkened faces.

We will miss this place.

In the morning we leave on the first collectivo out, balanced on the back of the public pickup truck with tongues hanging out like dogs.

To the mountains.

Flowing into new moulds

Today is comfortingly familiar.




I had this day yesterday. And the day before. Back and back. For a lot less time than my mind has me believe.

But the familiarity is a sizzle of overwhelming ecstasy that pushes fingers into my brain and shakes it.

I am awake.



It is barely 11.00. I have already run four lengths of both beaches, splashing through the waves in bare feet, the sun peachily low in the sky. I wash in the cool, clear surf, cliffs rising through white sea mist, waves tumbling my body in bubbling spirals.

At the top of the beach I run up the concrete stairs to our room, ducking under lines of fresh washing from the restaurant below, opening the door to find my man still dozing on his back like a baby. I join him, entangling limbs and pressing damp skin.

I listen to the soft rhythm of his breathing, feel his hair prickling my lips, savour the grind of sand between sheets and the undulating roar of the waves in my ears. He begins to wake and the spell is broken. We dance around the room for a bit, talking crap. The day begins its rolling pace.

I prepare English breakfast tea in the camping pan, looking wistfully at the dwindling supply of bags that, despite our obsessive rationing, will be gone before the end of the month. We sit on the bed, munching granola and fresh melon, feeling the cool breeze of the fan that has become one of the few fundamentals of our current lives.



Today is Easter Sunday. A month since Michael's arrival.



***

Yesterday I tried to work out the day and failed to get even a rough idea. So we asked. I still cannot believe it is April.

We have found paradise. I wake up every morning wide-eyed, shocked to see that other face, peaceful beside me.



We are caught in a swirl of being where time and event do not matter. We pass smoothly from vivid, swirling dreams into a vivid, swirling reality, where we circle each other like halves of a molecule, coils of DNA, turning and bumping, floating away and being sucked back in to our shared centre.



Two months ago I could barely think of this, avoiding the images in order to protect myself from the ache of not having what I craved.



Our minds have veiled that time and pushed it beyond the realms of recent memory. This seems like the only reality that has ever been. London is made up of the wispy sensations of dreams, barely clinging together in my mind, wandering in half-memories through my sleeping hours. Almost every day I get a pang of longing for the rolling hills of Cornwall or the love of my people, but I know now to let the nostalgia flow through my mind.



Instead, we practise being here, now.





The sea pounds through our days. A time of water, and of flowing.

Punta Cometa

We walk behind James over red earth. He is barefoot. His white hair and beard flow behind him. I want to hand him a staff and cloak.

Early morning on Punta Cometa. Spring solstice. The rising sun already burns.



The view stretches miles in either direction to cove after yellow cove. The sea shines, a shifting plain of mirrors. The cliffs fall into the churning sea in dramatic angles.



The reflection of this place to the steep cliffs of Cornwall runs further than simply cosmetic, as I realise when James begins the narrative in his cinematic boom:



"Straight ahead there are over 190 degrees of sea. The next land is almost exactly due east. This is the most southerly point of Mexico. The end of the North American continent."



I grew up on Lizard Point, a peninsula in Cornwall that forms the most southerly point of the UK - one of the reasons why Punta Cometa resonates with me so much.



Luis told me that today was a special day and that I should take care to position myself at a 'centre of energy', to meditate and think about what I wanted. At the time I was not sure quite what he meant. It was only until James told us about the vortex that it became clear: life's flows had taken me exactly where I needed to be.



On the end of the point lies the cactus that I've been watching from a mile away on the beach. Close up it is enormous; at least thirty feet high and almost three armspans around. The lower arms have aged into bark so that the cactus has a trunk, like a tree. James estimates it to be at least 400 years old, although admits that he really has no way of knowing.



I open my arms around it and press my face to the bark. Ants crawl over my hands. I swear I can feel the energy of the cactus. My insides feel the same as they did when I stirred the Tibetan singing bowl - as if something inside me is humming without sound. I visualise becoming connected to the bark and allowing whatever flows within the cactus to flow within me too.



I come away from the encounter almost shaking. Whether psychosomatic or not, I am charged. The light glinting from the water looks even whiter.



I sit in the red dust and consider the situation.



Sometimes even the most bizarre of events can seem normal. When this starts happening I know I'm not paying enough attention to the now.



But it's so easy to get taken away with memories and thoughts and inventions and miss what is right in front of you. The trick is to centre yourself on the moment instead of the private world in your head. Otherwise you are never really where you are.



So. I am in a life where a typical day includes following a man who looks like Gandalf to an impossibly beautiful location, to listen to magical stories and hug a giant cactus.



Thinking this, I feel proud to have moulded my life in such a ridiculous form. Top points Ju, for making the stupid credible.



For this seems more normal to me, and so much more sensical, than enclosing myself in an airconditioned box, clicking my mouse idly and making the morning's tea break the highlight of my day. I can never go back to that; I know that now. There is a library of reasons, none of which really need explanation.



The essence is,` it can be very difficult to see when one's world is enclosed around the self and the self's actions. In London my world was a sphere, stuffed with action and friends and events. Full to the rounded edges until it became too full and burst and released me and all my stories into the ether.



Now I am an empty, open bowl.



I may have little, but I can be filled with new delights every day.



And I know I'm in the right place. In a way that could never be conveyed to those who have not seen it, Mexico is real. Raw. It is life, unfettered. I see all the things I missed in my city routine and know I cannot live without them.



Here, I meet people every day who shine with the confidence and tranquility that comes with feeling like they are 'on their path'. Every day I have real conversations, that delve excitedly into the mysteries of life. Every day the synchronicities descend. I may not be 'achieving' anything in the traditional sense of the word - I have been out of work for a year and have not really done anything that could be written down on a CV - but I have learnt more in this year than in my whole life. And most of what I have learnt has been achieved by just sitting still and shutting the fuck up.



To look, really look, is to gain wisdom. I am far from being wise but being humble is the first step.



I feel something inside me wanting to prove myself to James; prove my worth as a student and display my talents. But at the very least I understand that now is the moment for stillness. So, I make myself quiet and allow him to talk, and I make sure I follow every word. When my mind starts to drift, I slap it and bring myself back to the present.



The present is a redbrown spit of land and a foaming turquoise sea. The snaking arms of a giant cactus and the endless indigo of the sky. It is a natural energy vortex. A pair of men from opposite ends of life. A moment of meditation. It is the centre.



We amble to the end of the point and scramble down the cliff to a giant rockpool forming a natural jacuzzi at the end of the world.



Waves rush over a gap in the side and fill the pool with fizzing white, tossing bodies carelessly in its swirls of bubbles. Even in a world of freedom it is the most fun I've had in a long time.



Once again, the scene mimics the head.



I watch as a giant wave rises over the rocks and fills the pool, sending mini tidal waves right to the edges, to be reflected back in an endless, effervescent pendulum.

The accidental search

Before Michael arrived I was told to learn to heal with my hands by Marcos, who tells us he is a shaman even as he pours his first beer of the day at 11am.




Marcos gives me the name of a man who will teach me; James, who can be found on the beach at Mazunte, Oaxaca.



In the same week, Mike is given a scrawl of a map by friends, showing three places he should visit. He holds it up to the camera during one of our Skype conversations. Even through the blur of the video call my eye was drawn to a huge black arrow taking up most of the page. The arrow pointed to Mazunte, Oaxaca. Yet another coincidence in a long line of synchronous surprise.



So, after a few days in the backpacker's world of Puerto Escondido, we emerge on the beach at Mazunte. Line of yellow beaches backed by dusty cliffs and licked by fizzing turquoise. The sunset to our right is obscured by a long reptile of land reaching down to the south. My eye is drawn to a giant cactus, visible on the end of the peninsula; cupped hands scratching the sky in stark contrast to the bare rock of its surroundings.



The drama of the cliffs reminds me of Cornwall. But this is unmistakably small-town Mexico. The sand stretches to the road, where a small line-up of restaurants offering an eye-widening selection of menus forms what is known as 'town' to la banda.



Comedors offer cheap quesadillas and loaded tlayudas (huge crispy-barbequed tortillas filled with cheese, refried beans, meat and vegetables) under palm-leaf shelters and flickering candlelight. Fierce locals protect their village from the commercialism of the surrounding coast, shielding strong stems of individuality and quality in their establishments, that set this place in a different league to its peers. The mechanical squeaks of tropical birds blend effortlessly with the soft rhythms of tambor drums, somewhere on the hillside behind us. Mike itches to play; I long to hula hoop.

We run as far as we can to try and catch a glimpse of the sun before it disappears. We squeeze under a gate to get to the highest point we can and pause, giggling like drunks at the incredible view laid out for us.

We are captured.

The next day we hand over 1500 pesos - about 80 pounds - for a month's stay in a room on the sand that looks like the inside of an orange.

We are floored by contentment.

A fan, a bed. A doorstep of sand and a view of the sea. Faint memories of shopping for unnecessary crap seem inconceivable now. We can think of nothing more that we need, except perhaps a musical instrument for Mike to play.

I need to find James. We splash through the waves to the next beach, stopping on the way to talk to a man called Lorenzo. He sits, staring at the sea, jerry can of mezcal in his hand, sombrero proudly on his head. A self proclaimed "Noodist Booddist", voiced in the only accent that allows the two to rhyme in the singing manner of a mantra.

He has a drum. He agreed to fix it for its owner four years ago. He is leaving and wants to lend it to us.

As if this is not slick enough, it transpires the drum belongs to Shaman Marcos, who actually brought us here in the first place.

Mike's face lights up in amazement and I recognise the same light that has been shining from my own eyes. In that instant he catches a glimpse of that something beyond. I know his thoughts mirror mine.

Lorenzo brings out a Tibetan singing bowl. Seven different metals combined, bashed into a deep silver cave. He drags a small, metal cylinder around the edge and it hums with a stomach rumbling vibration that makes all those in the near vicinity turn towards us. He believes it resets any turmoil that might lurk inside.

I try it and feel my whole body respond to the vibration. The sounds is almost ancient. I am a bowl myself, singing, feeling the sound through me and a part of me, sifting and settling.

After over an hour squatting in the dust in front of him, listening to his stories, I remember the original purpose of our walk and continue onwards, asking wisened faces if they are James. The humming in our ears and the drum in Mike's hands give the journey a fated edge; it takes less than five minutes before we are standing on James' veranda, being welcomed like old friends.

James reclines in a blue hammock, wearing a pair of ragged shorts under a dark brown chest that is connected to the air with white wires. His face hides under a huge beard of grey. He must be almost seventy.

He pulls himself up from the hammock and I am dwarfed by his height, lost in an embrace, during which I feel energy pulsing gently from him.

He speaks as if he is the voiceover for a cinema blockbuster, intonation pressing heavy words into us, forcing us to question our reality. We pass the evening swinging in his hammocks, listening to his stories.  He offers to take us to explore Punta Cometa. Realisation dawns as he explains this to be the long point of land to our west, thought to be an energy vortex since ancient times. I understand why it has been drawing my eye.

He would like to teach us the stories of this sacred place. He would also like to teach me everything he knows about healing.

We sleep deeply, the waves in our ears, our new gifts painting dreams in explosions of colour.